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BrandBuzzBomb16238contracts.io5686copyright.io16962Curatively16181design.live2164HelloPrompts16798By Teddy2057
FormatInstagram post 4:5382Instagram story144Instagram post 1:1111carousel-4x5109video-4x5108Social ad32video-1x131Landscape graphic29video-9x1627X header27
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The photographer. But you have a say.
What an indemnity clause actually moves
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A kill fee is fair when it matches real costs.
You paid. The photographer probably owns them.
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You can't copyright your name. Here's what protects it.
You can't copyright your name. Here's what protects it.
You can't copyright your name. Here's what protects it.
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Not for profit doesn't mean not infringing.
Not for profit doesn't mean not infringing.
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Find your reposted work.
Your client paid. You may still own it.
A written statement is due on day one.
Anyone promising removal is guessing.
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Lex drafts a new contract from a sentence.
You own the canvas. Not the copyright.
Find your reposted work.
What an indemnity clause actually moves
See the plan before payment.
Assignment sells the rights. A licence rents them.
'It was on Google' is not a licence.
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'It was on Google' is not a licence.
In the UK, you can insist on credit.
Removing your credit can be its own violation.
You designed it. Your employer probably owns it.
It's a confession, not a defence.
Six things make a DMCA notice count.
Agree clause by clause, sign once.
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Calling it 'freelance' doesn't decide it.
Lex drafts the contract.
A thumbs-up on WhatsApp. Did you just agree?
Choose your scope first. See the plan before payment.
Choose your scope first. See the plan before payment.
You licensed the platform. Not everyone else.
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Not for profit doesn't mean not infringing.
One week per year of service, up to twelve.
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The UK has no DMCA. Takedowns still work.
Most copyright outlives its maker by 70 years.
Most copyright outlives its maker by 70 years.Browse by idea
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Browse by style
Agentic glassfrosted glass panels over grainy brand-colour mesh, with product UI as the heroSwissgrid-snapped type, one alignment axis, flat colour and lots of airEditorialmagazine-style serif headlines, an italic second voice and generous marginsBrutalistheavy type, hard offset shadows and blunt blocks of colourRetro printpaper texture, a misregistered second ink and halftone photosY2Kchrome, sparkles and bright gradients from the early-2000s webMinimal luxuryquiet serif type, wide tracking and a restrained paletteSplit blockthe canvas split into two or three solid colour fieldsPhoto postera full-bleed photo with poster-sized type on top